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A5 ink line drawing palm leaf
A5 ink line drawing delicious monster
A5 ink line drawing
A5 ink line drawing flowers
A5 ink line drawing flowers
A5 ink line drawing bee
A5 ink line drawing plant
A5 ink line drawing palm silhouette
Line drawing Illustrations
Line drawing Illustrations
Charcoal&line Drawings
2018 Drawings
processwork
smoke drawing white pastel on black paper
hummingbird drawing; charcoal and pastel on paper
flower charcoal drawing
flower hybrid; pink pastel and white charcoal on black paper
feminine collage charcoal drawing on brown card
woman, flowers, smoke; collage drawing; pastel, charcoal, glue on black paper
hand holding rose drawing; charcoal and pastel on black paper
feminine vaginal symbolism; ink line drawing and charcoal
feminine collage drawing; charcoal on brown card
flower drawing; charcoal and pastel on black board
fig drawing; charcoal and pastel on black paper
Paintings
Paintings
oil painting commenting on the relationship between man and earth. We, as the human race, privileged to inhabit on Earth, are using nature's resources to its own detriment
oil painting commenting on modern unsustainability and harmfulness of human behaviour and consumerism
2017 Painting workshop
a tribute to women
in celebration and in protest

The Greeks thought the pomegranate fruit to be a gift of love that is continually inviting, symbolising fertility, abundance, and the arrival of spring. In art, the pomegranate alludes to the beauty and exuberance of the vagina with the external representing the ovary and the seeds, the ova cells. And during the Renaissance period, the juice of the pomegranate, eternally giving, was seen as the blood of Christ as well as menstruation. Given the history of representation with this particular fruit, I chose the pomegranate as a celebration of the vagina and women.

Red legs is inspired by the Rape Culture phenomenon that we, as South Africans, are constantly exposed to and bombarded with. Drawing inspiration from artists like Tracey Emin and Penny Siopis and their themes of trauma, sexuality, objectification, and femininity, I have used my work as personal responses to my own encounters and trauma within this Rape Culture. In a sense, my work is treated as private performances; with every stroke of my brush and smear from my hands done in complete freedom and in response to memories and mixed emotions.

acrylic and oil abstract painting inspired by, and in response to, South Africa's Rape Culture
celebration of the female vagina; positive connotations and representations of the pomegranate fruit.
acrylic and oil painting of pomegranate fruit with positive connotations and representation of the female vagina
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